My mind often returns to August of last year, to that beach in Kamakura. I remember it was mid-afternoon. I was sitting alone on the cold sand, feeling time within me like an organ of my body, like a second heart, heated, and fast. That entire day I had been alone, on autopilot, but there, by the the ocean, I found myself shifting back into a realer, more organic state, and I thought of my life, how it had developed into this foreign animal I knew to belong to me, but did not recognize, nor control, a life powered by something other than me, something more innocent and magnetic, and free.
Life possesses its own momentum, I think, a type of gravity generated by the soul. Like the survival instinct, but more human, more mundane too; less about danger and more about memory, and desire, and the muscular, spiritual pull in the body that comes with the existence of beauty, the appearance of pain. I don’t always feel it but when I do its effect is tidal, and immediate, like an electric current. I think of that instance, a few years ago, in Washington D.C.’s Ronald Reagan Memorial airport, waiting in a shuttle bus on the tarmac wet with rain, and pausing, suddenly, to think: I’m living. I’m here, and I’m alive. It was a forceful, and tender, and gently, momentarily paralyzing thought, like passing by a garden for the millionth time and noticing, for the very first time, the row of tiny flowers lining the path.
There’s a difficult, intractable, callous, evergreen part of me that my mother often calls my “nature.” I love, and require, this solidity but I wish I could change the angle of it, give it substance instead of just density. I wish I could carry resilience like a physical object. I wish I could swing it like a sledgehammer.
I think a lot about my character, how it sees, and reflects, and pursues the world. I think a lot about possibility, and emotion, and owning up to my bullshit. I think a lot about how for years I dejectedly but willingly described myself as a neurotic girl, and then a neurotic woman, just because my father called me that once. I think a lot about what it means to judge, to separate, to reject, to forgive, to value, to cherish, and how love intersects with these, individually, and in a sequence, and all at once.
Instances of peace are close to my soul. They slow time down, prolong my life for just a few more seconds, and the pretenses of calculation — how to be, and say, and act, and to what degree — which have so sustained my identity slip away, and I am not afraid, for once, of excess, or hesitation. I return to the beach at Kamakura, alone, entirely responsible for my own life. No need for excuses; no need for lies. I go through my photographs of the trip, the snapshots of white-petaled flowers with rosette cores, the plain and dignified mountainside vistas, the gray roads, their subtle, gold-toned luminosity in the summer evening. I go through images of the sea, its mirada vidriosa (“glassy stare”) and of my face, which some have called “heart-shaped,” on those impulsive, rare instances that I turned the camera around to capture my tired but smiling expression, framed by iron and blue.